Expressionism Is a Stance Most Concerned With the Idea That Great Art Must
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first review: this is 4 because i like his wor
120119: and why this is not v? because, finally, sadly, i take non experienced his bodily art. but i only looked at work by japanese contemporary artist takahi murakami, and in images it becomes clearer that reinhardt is exterior any one culture, politics, critiques, considering it is exactly not the usual repertoire of artistic techniques that he employs. not gestures, symbols, innuendo, culture, history. art as art. damn, i want to see his work...first review: this is four because i like his work, his intention, his philosophical, his pure artistic aspiration. 'art as art' could be confused with 'for arts sake', but his point is more strict: art is not for any purpose. fine art is art. as such, reinhardt is an abstract artist concerned with art, non interested in illustrating, depicting, summoning, either the usual 'real world' or the world as interpreted in non-art ways, expressionism, surrealism, primitivism... etc. and then i adore his attitude, his ideas, his historical sensation, his insistence and moral stance...
my experience of his piece of work is entirely past reproductions, which are always less than. his work may crave some art pedagogy- i go on in all arts the prejudice that whatever it is, information technology must be effective, must piece of work, and everything else is ancillary. art is art. he never claims to be a poet, though his notes often enough seem kind of beat. this might exist perfect instance of fine art having to exist in exactly the right medium for it to work. poesy is not for reinhardt. essays, interviews, monologues, are much better. and the art itself is best...
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I was a little disappointed by how irascible Reinhardt was. Possibly de Kooning and Rothko* need to be depicted as the petit bourgeois accessories to
I reviewed Ad Reinhardt's satirical cartoons in an art history class a long time ago. I am also open to the thought of the black painting as an "stop" to painting (I doubt one in ten people surveyed could name an creative person or piece of work created after 1970; I doubt one in fifty could name ane made afterward 1980). Art as Art has been on my "to read" shelf for years.I was a piffling disappointed by how irascible Reinhardt was. Perhaps de Kooning and Rothko* need to be depicted as the petit bourgeois accessories to civilisation crime they were. Fifty-fifty if Reinhardt's irascibility can be justified past his own dominion for artists that "those in possession of the truth take an obligation to throw the first stone," his obsession with repeating himself - often give-and-take for word - cannot be.
Reinhardt takes visible comfort in calling out others on their personal failures. Primary in his grievances is the allegedly phony intermingling of media. "Art is art. Everything else is everything else." Well, if Reinhardt is a student of rhetoric, isn't he fouling upwards the purity of his solar day job by importing rhetoric into art criticism? Isn't talking about art critically defiling art past associating it with words? Art is art. Words are words. Right?
I would capeesh Reinhardt more if - rather than publishing snide letters to the editors of civilisation pages and art magazines - he wrote a private memoir to exist published posthumously, giving his feelings at the time but in a less public, petulant, pathetic way.
There are other contradictions, but I give Reinhardt credit for never letting his ego or moral compass pull a fast one on him into believing he was anything other than human. Still, one cannot inactivate the ascertainment of these contradictions and not be irritated by them.
My word of advice for anyone interested in Ad Reinhardt: Notice the cartoons he did for the socialist newspapers and read his essays on Islamic, Chinese, and Khmer art. You do not demand this much view into Reinhardt'due south heed. You might not like what you encounter and it might affect the manner you look at his painting afterward.
*Though I nevertheless count Rothko as one of the iii greatest painters (call me a sentimentalist).
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Continue in mind, though, while reading that some of the articles have been edited to 'fit' into this book, significant that some of import parts of his writing take been edited out. A great introduction to the written cloth by Advertizing Reinhardt, the introductions Rose provides are also quite valuable.
Go on in mind, though, while reading that some of the articles accept been edited to 'fit' into this book, meaning that some important parts of his writing take been edited out. ...more
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